Work on:
play B maj melody with EFg_AuMp7bo (G#min) for all 6 fingerings:
Fingering 4 from 2th fret
Fingering 3 from 4th fret
Fingering 6 from 6th fret
Fingering 5 from 7th fret
Fingering 2 from 9th fret
Fingering 1 from 11th fret
Remember melody is 1 1/2 nots up from tonic key i.e. B for G#min
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[9:06:03 AM] *** Call from ruben diaz ***
[9:07:18 AM] ruben diaz: G#m http://www.rdiaz.org/rdvideo852.html 

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The Andalusian cadence is made out of 4 chords or degrees as follows:

Im,   bVII,   bVI,  V7b9.


Out of this 4 chords the most important one is the degree V7b9  (not the I)


Im,    bVII,   bVI,  V7b9.
G#m, F#,     E,   D#7b9
 3       9.5     9.5    9.5        (beats)

............
Chords:

G#m = 464444
F# = 244322
E =024100
D#7b9  = 3x134x

.........
A modal way play melodies over this chord changes is by using the B major scale 
we can find that major scale suitable located at a b3 up (b3th = 1t ˝) from the Im 
(1st degree of the andalusian cadence)

In the Paco de Lucia´s style the notes to solve on a V7b9 chord are either 
the root or the 5th of the chord as a rule.


(Ionic mode)


And here is the map on the fretboard:

Zone of B major

Fingering 4 from 2th fret
Fingering 3 from 4th fret
Fingering 6 from 6th fret
Fingering 5 from 7th fret
Fingering 2 from 9th fret
Fingering 1 from 11th fret
[9:20:04 AM] ruben diaz: The distance between 2 notes is called interval.
Then there is a diatonic interval (which changes the name)   
and chromatic interval (which does not change the name)
example of diatonic is D & C#
example of chromatic interval is
D ^ Db
[9:37:11 AM] *** Call ended, duration 31:06 ***